BLACK GERMANS

http://www.blackgermans.us

28,041 notes

teavu:

africanfashion:

For those of you who criticize Janelle’s signature monochromatic look.From her speech on “Black Girls Rock”:“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.Embrace what makes you unique, even if it makes others uncomfortable.” - Janelle Monáe

she is the coolest fucking chick

teavu:

africanfashion:

For those of you who criticize Janelle’s signature monochromatic look.


From her speech on “Black Girls Rock”:


“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.

This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.

Embrace what makes you unique, even if it makes others uncomfortable.” - Janelle Monáe

she is the coolest fucking chick

(via peaceshannon)

28,041 notes

teavu:

africanfashion:

For those of you who criticize Janelle’s signature monochromatic look.From her speech on “Black Girls Rock”:“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.Embrace what makes you unique, even if it makes others uncomfortable.” - Janelle Monáe

she is the coolest fucking chick

teavu:

africanfashion:

For those of you who criticize Janelle’s signature monochromatic look.


From her speech on “Black Girls Rock”:


“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.

This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.

Embrace what makes you unique, even if it makes others uncomfortable.” - Janelle Monáe

she is the coolest fucking chick

(via peaceshannon)

40,132 notes

After learning my flight was detained 4 hours,
I heard the announcement:
If anyone in the vicinity of gate 4-A understands any Arabic,
Please come to the gate immediately.

Well—one pauses these days. Gate 4-A was my own gate. I went there.
An older woman in full traditional Palestinian dress,
Just like my grandma wore, was crumpled to the floor, wailing loudly.
Help, said the flight service person. Talk to her. What is her
Problem? we told her the flight was going to be four hours late and she
Did this.

I put my arm around her and spoke to her haltingly.
Shu dow-a, shu- biduck habibti, stani stani schway, min fadlick,
Sho bit se-wee?

The minute she heard any words she knew—however poorly used—
She stopped crying.

She thought our flight had been canceled entirely.
She needed to be in El Paso for some major medical treatment the
Following day. I said no, no, we’re fine, you’ll get there, just late,

Who is picking you up? Let’s call him and tell him.
We called her son and I spoke with him in English.
I told him I would stay with his mother till we got on the plane and
Would ride next to her—Southwest.

She talked to him. Then we called her other sons just for the fun of it.

Then we called my dad and he and she spoke for a while in Arabic and
Found out of course they had ten shared friends.

Then I thought just for the heck of it why not call some Palestinian
Poets I know and let them chat with her. This all took up about 2 hours.

She was laughing a lot by then. Telling about her life. Answering
Questions.

She had pulled a sack of homemade mamool cookies—little powdered
Sugar crumbly mounds stuffed with dates and nuts—out of her bag—
And was offering them to all the women at the gate.

To my amazement, not a single woman declined one. It was like a
Sacrament. The traveler from Argentina, the traveler from California,
The lovely woman from Laredo—we were all covered with the same
Powdered sugar. And smiling. There are no better cookies.

And then the airline broke out the free beverages from huge coolers—
Non-alcoholic—and the two little girls for our flight, one African
American, one Mexican American—ran around serving us all apple juice
And lemonade and they were covered with powdered sugar too.

And I noticed my new best friend—by now we were holding hands—
Had a potted plant poking out of her bag, some medicinal thing,

With green furry leaves. Such an old country traveling tradition. Always
Carry a plant. Always stay rooted to somewhere.

And I looked around that gate of late and weary ones and thought,
This is the world I want to live in. The shared world.

Not a single person in this gate—once the crying of confusion stopped
—has seemed apprehensive about any other person.

They took the cookies. I wanted to hug all those other women too.
This can still happen anywhere.

Not everything is lost.

Naomi Shihab Nye (b. 1952), “Wandering Around an Albuquerque Airport Terminal.” I think this poem may be making the rounds, this week, but that’s as it should be.  (via oliviacirce)

322 notes

When I ask such persons what makes [Tim] Wise’s commentaries so unique or revolutionary, they become quiet. For in truth, there is nothing new in Wise’s analysis. If anything, it is an analysis born of the blood struggle for Black liberation and racial justice throughout American history. Our ancestors may not have used terms like “white privilege.” Instead, they just called it what it was and is: white supremacy. (Imagine a white anti-racist saying, “I’m going to use my white supremacy to help people of color.”) Nonetheless, white privilege has become the watch-word of the movement. Yet, for the most part, it has been used as a means for white anti-racists to point the finger at “those” whites or navel gaze and wallow in a guilt that doesn’t produce results. Overall, it has the tendency to takes us away from addressing the real issue head on – whiteness itself and the ideology of white supremacy that gives whiteness whatever power and meaning it currently holds.

Word to the Wise: Unpacking the White Privilege of Tim Wise (via brashblacknonbeliever)

Tim Wise wouldn’t exist but for the blood of Afrikans standing up for themselves for generations.

(via whitedenial-ontrial)

oh the fucking irony

(via hewasalittledognamedsnuggles)

(via peaceshannon)

573 notes

vintageblackglamour:

“I stole everything I ever heard, but mostly I stole from the horns.” ~ Ella Fitzgerald, born 96 years ago today in Newport News, Virginia. In this photo, she is performing at Mr. Kelly’s nightclub in Chicago in 1958. Photo by Yale Joel//Time Life Pictures/Getty Images.

vintageblackglamour:

“I stole everything I ever heard, but mostly I stole from the horns.” ~ Ella Fitzgerald, born 96 years ago today in Newport News, Virginia. In this photo, she is performing at Mr. Kelly’s nightclub in Chicago in 1958. Photo by Yale Joel//Time Life Pictures/Getty Images.